Low-key Lighting Definition Photography
Low-key lighting often uses only a key light optionally controlled with a fill light or a simple reflector.
Low-key lighting definition photography. There are lots of really creative directions in which you can take a low key portrait. Alfred Hitchcock used this technique to great effect in his movies. Low Keyis a lighting technique in which black is the controlling color of the image and high level of contrastand the key light isnt strong the fill lightis important.
Low key lighting creates very dark images with high contrast. The Definition and History of Low Key Photography The full Wikipedia definition can be found here. Low-key lighting typically involves lots of contrast and creates an entirely different mood than high-key lighting.
Theyre designed specifically to create a dramatic and intense atmosphere. For best results use a tripod manual focus and exposure to better control the light. My understanding of low key lighting is that it is the use of shadows and dramatic either harsh or soft lighting to give high contrast three-dimensional effects to an image.
This results in hard lighting with harsh shadows. Traditional photographic lighting three-point lighting uses a key light a fill light and a back light for illumination. Where high key lighting seeks to over light the subject to the point of reduced contrast low key lighting intensifies the contrast in an image through intensely reduced lighting.
Low key photography teaches us manipulation of light to draw attention to a specific part of the subject. Low key photography refers to images with very dark often pure black backgrounds still with detailed and well-exposed subjects. By keeping large amounts of shadows you can add depth to the figure making muscles look larger and more defined.
Control your light and light source when photographing low key images. Usually low-key lighting is very close to a subject and the light source is typically dimmer to accommodate this. Low key photography is a style that uses darker but not underexposed tones to create a mood.